Art Theory

since i am an architecture student who's concerned about art and such stuff, i think i should spend some time talking about art and art theory here on my blog..i should talk about wat influences mi as an architect and artist...

the works of Richard Serra including his large sculptural works that are one half art and one half building move me to think about challenging the system and also to appreciate mass and its interractions with space. I begin to conceive of planes of materiality that intersect each other and blur the boundary between wat is inside and outside a building/art form...

and also, some paintings like that of Jacques Louis David and his Oath of the Horatii (1784) cause me to ponder the moral implications of art and art discourse..the idea of loyalty to higher ideals than regional or family ties is simply stirring..when i look at Oath of the Horatii i think of my higher loyalties to God and His kingdom which transcends my own petty human concerns and human failings...it says, i may be a failed and flawed human being, but some things i make my stand on...some things cause mi to draw a line and say, watever else i maybe, in this i will be defined...

the story of Oath of the Horatii is a long and complicated one and the story of its creation even more so...i'll spend some time dwelling on both..

The story is told by Livy that in the annals of the founding myths of Rome there were 2 rival cities on opposing hills..one was Alba Longa, descended from the loins of lonely Aeneas, who survived the fall of Troy and established the city of Alba Longa on the Alban hills..the other was Rome herself, a young, rising city-state that had been founded a few hundred years before by the twins Remus and Romulus on the Roman hills..now these 2 cities were originally peaceful towards each other..until the growth of Rome threatened Alba Longa..not wanting a long, violent and bloodthirsty war, both cities made an unusual decision..to settle scores by a combat to the death of 3 warriors each..3 for the Romans and 3 for the Albans..now in the city of Rome, no 1 could beat the prowess and strength of the Horatii triplets... and on the Alban side, by some quirk of the 'gods'..no one could overmatch the Curatii triplets..so both sets of triplets were chosen to represent their respective cities..

however, things were complicated by the fact that one of the sisters of the Horatii was engaged to one of the Curatii triplets...and one of the Curatii sisters was married to one of the Horatii triplets and had a son by him...so strong ties of family kinship bound both families on opposing sides...the painting is of the scene where the father of the Horatii holds up the swords of the triplets and they swear allegiance to Rome over their familial ties..they will not rest until either they kill the Curatii and secure Rome's future or the Curatii kill them and destroy Rome..for which there would be no cause to go on living anyway...in the background, one sees the Curatii wife and her fellow sisters-in-law weeping and trying to cover the face of their half Horatii, half Curatii son, who refuses to shy away from the awful destiny that is before him..that his father will kill his uncles..this piece is painted in the neo-classical style and presents the minimal background compared to the prominent foreground in order to show display the importance of the unfolding scene..the chiarascuro (light and shadow) effects are superbly executed, the perspective is shallow but perfectly rendered and there is no hint of brushwork, signifying the lesser importance of the artist in comparison with the image..

in its time, Louis XVI loved it..it gave legitimacy to the French state that was on the eve of the French Revolution (painted in 1784) and recalled imperial glories and harked back to the legacy of Rome..it was commissioned expressly to fulfill a didactic moral role which was to teach the French people to place loyalty to France above their own personal disagreements with the monarchy and their regional loyalties..apparently, the Jacobin revolutionaries loved it as well..since it reinforced the notion of Republican France, even though it was commissioned originally to serve the interests of a monarchical France..the idea of the transcending value of art and its ideals is brought up...context changes, but good art should always ring true with a timeless message..